Shakespeare's dynamic use of irony in King Lear aids the microcosmic
illustration of not only 16th century Britain, but of all times and places. The
theme that best develops this illustration is the discussion of fools and their
foolishness. This discussion allows Shakespeare not only to portray human
nature, but also to elicit a sort of Socratic introspection into the nature of
society's own ignorance as well. One type of fool that Shakespeare involves in
King Lear is the immoral fool. Edmund, for instance, may be seen as a fool in
the sense that he is morally weak. His foolishness lies in the fact that he has
no sense of right or justice, which rewards him with an untimely, ironic death.
He discusses this as his father, Gloucester, leaves to ponder the
"plotting" of his son Edgar. Edmund soliloquizes, "This is the
excellent foppery of the world, that when we are sick in fortune... ...we make
guilty of our disasters the sun, the moon, and stars, as if we were villains on
necessity; fools by heavenly compulsion." (I. ii. 32) for the sole purpose
of illustrating his wickedness. Edmund realizes that his evil is self- taught.
This soliloquy shows the audience Edgar's foolishness in his belief that
malevolence is the force that drives one to greatness or prosperity. It also
illustrates the bastard's mistaken belief that by fooling his father, he might
be able to eliminate Edgar, the competition for Gloucester's title, and possibly
rid himself of his father in the same act. This is a prime example of immoral
foolishness in King Lear. Another type of fool in King Lear is the ignorant
fool. Whereas characters such as Goneril, Regan, and Edmund are fools because of
their tendency to harm others for self- gain, the ignorant foolish are not
necessarily driven to evil. However, the evil are almost always driven to
foolish actions. Gloucester, arguably Lear's foil, puts forth an interesting
perspective in the play. His character is presented as one who is blind to the
truth, and ironically, one who becomes physically blind in the end. In
actuality, it is his blindness to the truth of Edgar's love and Edmund's greed
and apathy that ultimately brings about Gloucester's demise. When he says,
"I have no way and therefore want no eyes, / I stumbled when I saw"
(IV.i.173), he seems to be illustrating the realization of his own foolishness.
Gloucester illustrates, through his use of verbal irony, that his foolishness
lies in the fact that he never truly saw anything (e.g. the true nature of
Edmund or Edgar) until he was blind. Another example of Gloucester's ignorant
foolishness is the misfortune he predicts at the beginning of the play. He says,
"These late eclipses in the sun and moon portend no good to us. Though the
wisdom of nature can reason it thus and thus, yet nature finds itself scourged
by the sequent effects. Love cools, friendship falls off, brothers divide...in
palaces, treason; and the bond cracked 'twixt son and father" (I, ii,
103-109). This statement ironically predicts the vast majority of the play with
uncanny accuracy. Shakespeare seems to be using Gloucester as a tool to provide
more insight into the nature of foolishness. Another ignorant fool, and
obviously one of the most important, is King Lear himself. Shakespeare
deliberately uses Lear as a representation of the darker side of human
foolishness. He appears to be illustrating the folly of not listening to one's
inner voice, as well as discussing the corruption of power and wealth. He first
demonstrates his foolishness by saying to his daughters, "Only we shall
retain the name, and all the addition of a king" (I, i, 15). His wish is to
maintain the kingdom without all the accompanying responsibility of the crown.
However, in a more complicated manner, Lear's foolishness is derived from his
inability to see that although he was king, he was a simple man as well. As a
king, he wished to have his daughters openly display an undying affection for
him. He shows that his practices are derived from that of a king, in that he can
only see life through the eyes of a king, not a simple man. Unfortunately for
Lear, his reason comes to him in madness. He states "When we are born, we
cry that we come to this great stage of fools" (IV.vi.178-179) as if he
finally had come to realization that everyone is a human being, be they king or
beggar. By far the most influential medium used by William Shakespeare in the
illustration and thematic development of fools and foolishness is the Fool. This
character is extremely dynamic throughout the play. He is seen by Lear and
others as a simple-minded idiot, in the court to entertain the king and his
daughters. However, as the play progresses, the fool proves to be the wisest
character in the play. Paraphrased, he says one should never judge wisdom by
office. The Fool speaks some of the most insightful words in the play. He says
to his "nuncle," "Thou had'st little wit in thy bald crown when
thy gavest thine golden one away." (I.iv.155-156) The fool here shows
poignant insight into the position of the king, telling him that there was no
justification or intelligence in Lear's giving his properties to his eldest
daughters. In King Lear, the play seems to revolve around the wisdom of the
Fool. He expresses his concern to Kent, stating, "Let go thy hold when a
great wheel runs down a hill, lest it break thy neck with following it"
(II.ii.261-262) The Fool's use of metaphor expresses his cognizance of the
events taking place in the play. Shakespeare's use of fools and foolishness in
King Lear represents an insight into popular wisdom. The character of the fool
introspects our own intelligence. Do we, for instance, know for a fact that he
who holds the highest office is the most intelligent or wisest person for the
job? The thematic use of foolishness also defines much about human nature.
Shakespeare brings up many interesting points about the role of evil in
foolishness, tacitly stating that it is not necessarily foolish deeds that lead
to evil, but evil that leads to foolish deeds. The crux of the play is one can
avoid playing the fool by heeding one's own inner voice. As Edgar says in the
last lines of the play, "The weight of this sad time we must obey / Speak
what we feel, not what we ought to say" (V.iii.322-323).